(Part 2) Timothy Rapp – Content Production for Video Games – Episode 21

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Timothy shows how he uses ZBrush 4R8 to create ‘Disc Jam’, a fast-paced action-sports game, bringing models straight into the Unreal Engine.

In this episode, Tim continues to sculpt his character by adding wrinkles and PolyPainting the eyes. He also uses ZRemesher for facial topology.

 

Content Production for Video Games More Scheduled Streams Coming Soon! Segment Summary: "I'll be sharing some of the tips and tricks I've picked up as an engineer-turned-artist in charge of Disc Jam's art pipeline!" Location: Los Angeles, California Hometown: Las Vegas, Nevada How Did You Discover ZBrush? "I first heard of ZBrush during the ZBrush 3.5 release, having previously worked in 2D art only. I tried digital sculpting and have been hooked ever since!" Sculpting Experience: 5 years Most Used/Favorite Feature: DynaMesh Previous Works, Industry Experience & Highlights: Activision, Engineering Lead for the Black Ops 3 core movement overhaul. Fun Facts: "All of my professional experience is in engineering (not art)."